Friday, February 2, 2018

Regan West by Marcon

Marcon is excited to announce Regan West, our next Coquitlam project, will be coming to market this Spring.Located steps from the Burquitlam Skytrain Station makes it an easy commute to downtown Vancouver, colleges and universities, entertainment, recreation and shopping throughout the lower mainland. This 6-storey contemporary building will feature 1, 2 and 3 bedroom homes with livable floor plans, a common rooftop patio, and timeless interior design. At Regan West, you are just a short stroll from parks, shopping, and new community amenities.

The post Regan West by Marcon appeared first on Vancouver New Condos.



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Regan West by Marcon

Marcon is excited to announce Regan West, our next Coquitlam project, will be coming to market this Spring.Located steps from the Burquitlam Skytrain Station makes it an easy commute to downtown Vancouver, colleges and universities, entertainment, recreation and shopping throughout the lower mainland. This 6-storey contemporary building will feature 1, 2 and 3 bedroom homes with livable floor plans, a common rooftop patio, and timeless interior design. At Regan West, you are just a short stroll from parks, shopping, and new community amenities.

The post Regan West by Marcon appeared first on Vancouver New Condos.



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Thursday, February 1, 2018

Montane Icarus Synthetic Insulated Jacket Review

Montane Icarus Jacket
Montane Icarus Jacket

The Montane Icarus Jacket is a warm hooded jacket that's filled with PrimaLoft's ThermoPlume fill, a synthetic insulation that's been designed to mimic down, except for the fact that it will keep you warmer if it gets damp or wet. Like goose down, ThermoPlume consists of small clusters of fibers that trap heat, but still falls short of high quality goose down in terms of its thermal value.

Specs at a Glance

  • Shell fabric: Pertex Quantum Eco (windproof and water resistant)
  • Liner fabric: PEAQ Synthetic Eco (highly breathable)
  • Insulation PrimaLoft ThermoPlume synthetic (equivalent to 550 FP down)
  • Weight XL Men's: 21.8 oz.

Materials aside, the Icarus is a exceptionally warm jacket that beats the chill. Unlike many sewn-through down and synthetic jackets, it has a solid fabric liner which blocks wind and cold drafts from reaching you and prevents your warmth from escaping though needle holes and seams. The impact of having the inner liner is hard to miss as soon as you step outside into the cold.

The Icarus has two side pockets, positioned so they're compatible with a hip belt pr climbing harness, and a large chest pocket that all close with zippers. The hood is not adjustable, but cut small with an elastic opening and designed to fit under a climbing helmet rather than over it. That's good news for people, like hikers, who don't wear a climbing helmet when they hike (beware helmet "compatible" hoods because they're usually oversized.) The arms have elastic wrists to keep cold from blowing in and there's a zipper guard running beside the front zipper to block out wind and prevent snags.

The use of microbaffles along the torso allow for more dynamic freedom of movement
The use of microbaffles along the torso (right) allow for more dynamic freedom of movement.

The fit is snug around the torso, with micro baffle construction along the sides and under the arms, allowing for fine grained distribution of insulation to the areas where it's needed most, as well as dynamic freedom of movement. In other words, good for climbers, and hikers and skiers who reach forward with their arms or use trekking poles.

The front zipper is unidirectional and has a snap at the bottom to prevent it from pulling apart from the bottom up, which can be really annoying if you forget to snap it closed. Really annoying. It's not a total showstopper as long as you "program" yourself to close the snap at the base of the zipper. Personally, I'd have preferred a beefier zipper that didn't require a hem snap.

Assessment

The Montane Icarus Jacket (Phoenix, for women) is a delightfully warm synthetic jacket with an internal liner that helps trap heat and block drafts. With a form-fitting cut, it can be used as an outer layer or an inner layer under a hard shell jacket. But the lack of hood adjustment features and a finicky front zipper limit its range for hard core winter use.

Disclosure: The author received a sample jacket from Montane for this review.

Written 2018.

Support SectionHiker.com, where we actually field test the products we review. If you make a purchase after clicking on the links above, a portion of the sale helps support this site at no additional cost to you.

The post Montane Icarus Synthetic Insulated Jacket Review appeared first on Section Hikers Backpacking Blog.



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How to Find More Freelance Writing Clients: 10 Things You Must Do

It's no secret that my favorite bridge business to help people pursue is freelance writing.

Why?

Because most of us already have a basic proficiency in writing, there's a huge demand for writing services, and it's a great way to build your online skills, your confidence, and some income in the process.

Here's the deal though:

Most people make crucial mistakes that are keeping them from actually getting work. I'm always shocked by how often I see these things happen, considering how obvious they seem.

The good news though, is that if you're one of the very few people who don't make these mistakes? You'll be rolling in work before you know it.

Watch this video to learn in detail, the 10 things you should be doing if you want to have more writing clients than you know what to do with.

How to Find Writing Clients

The video above covers these topics in much more detail, but if you're just looking for the tl;dr version, then here you go!

#1) Have a Personality

One of the biggest mistakes people make is that they think they need to be "professional". So out of the gate, they're very rigid, formal, and their freelance services site looks just like every other writer's out there.

People want to work with people they like and have rapport with – and the only way to build rapport? Is to have personality.

#2) Don't Use Mail Merge. Ever.

I'm not sure why people still think it's a good idea to write a template email, get a list of hundreds of people, mail merge the names, and then send it out.

Do you really think that's going to get a positive response or lead to work?!

Newsflash: It won't.

#3) Do Research On the Person You're Emailing

So what do you do instead of bulk emailing every potential client you've ever come across?

Here's a novel idea: you research the person you want to work with, and then send them a personal, thoughtful email.

The chances of finding work from sending five thoughtful emails is better than sending 500 template emails.

It takes time and effort to find qualified people, and do that research – but remember, this is what separates the people seeing success from those who aren't.

Additional Resources:

#4) Be Consistent With Your Pitches

For as long as you're a freelance writer, you should always be seeking out work – because as every writer knows, there will be a time, where it will all dry up.

So every single day, set a side a block of time to reach out, make connections, and look for work. Trust me, you'll be glad you did. And best case scenario? You have too much, and you can hire it out to someone else and make a nice little cut.

Additional Resources:

#5) Expand Beyond Upwork

Upwork is the most popular site out there for freelancers. But did you know there are dozens of other great, lesser known places to find work?

Make a habit of frequenting those and you'll find a goldmine of opportunity that the casual freelance writer won't know a thing about.

Additional Resources:

#6) Make Sure Your Site Looks Legit

Let's put it bluntly: would you want to hire someone who's website looks like it was designed by an 8 year old?

Probably not.

Technology has come a long way so creating a decent looking website these days isn't very hard. Spend a bit of time to make sure yours looks good.

Additional Resources:

#7) Create a System and Follow Up

Here's another place where most freelance writers completely miss the boat (or any freelancer for that matter): they don't follow up.

Often times you won't get a response on the first go. Or even the second or third.

This is why following up is so important. And to do this properly, you need a system that makes it easy. 

Luckily, you don't need to reinvent the wheel on this one. This is the strategy we use (and love):

How to Use Streak for Gmail (And Why It's a Freelancer's Best Friend)

#8) Go to In Person Meetups, In Complimentary Industries

Watch the video at the top of the page (Go to 9:10) for a more detailed explanation of why this works so well.

But the bottom line is, if you only go to meetups for writers, you'll find a bunch of people all looking for the same type of work as you.

But if you're a writer and you go to say a Search Engine Optimization meetup? There will often be people looking for writing services – making it more likely for you to find work.

Not to mention the fact that building friendships and rapport, is much easier in person.

#9) Don't Pigeon Hole Yourself

It used to be that for people just starting out writing online, you would jump into "seo writing". The problem is, that term has basically gone away and has some very negative connotations these days.

So instead of pigeon holing yourself into just one type of writer, we suggest using a broader title like "content writer" as that can span multiple spectrums and client needs.

Additional Resources:

#10) Read Influence: The Psychology of Persuasion

It's not a book on finding clients, growing a business, or specially about becoming a better writer. But it's one of the few books I know of that, if taken to heart, will help you do all of these things.

Buy Influence by Robert Cialdini

And that's it, if you do these 10 things, I guarantee you'll give yourself a better chance of finding consistent, well paying writing work that will allow you to work from anywhere and spend more time doing the things you love.

The post How to Find More Freelance Writing Clients: 10 Things You Must Do appeared first on Location Rebel.



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How to Find More Freelance Writing Clients: 10 Things You Must Do

It’s no secret that my favorite bridge business to help people pursue is freelance writing.

Why?

Because most of us already have a basic proficiency in writing, there’s a huge demand for writing services, and it’s a great way to build your online skills, your confidence, and some income in the process.

Here’s the deal though:

Most people make crucial mistakes that are keeping them from actually getting work. I’m always shocked by how often I see these things happen, considering how obvious they seem.

The good news though, is that if you’re one of the very few people who don’t make these mistakes? You’ll be rolling in work before you know it.

Watch this video to learn in detail, the 10 things you should be doing if you want to have more writing clients than you know what to do with.

How to Find Writing Clients

The video above covers these topics in much more detail, but if you’re just looking for the tl;dr version, then here you go!

#1) Have a Personality

One of the biggest mistakes people make is that they think they need to be “professional”. So out of the gate, they’re very rigid, formal, and their freelance services site looks just like every other writer’s out there.

People want to work with people they like and have rapport with – and the only way to build rapport? Is to have personality.

#2) Don’t Use Mail Merge. Ever.

I’m not sure why people still think it’s a good idea to write a template email, get a list of hundreds of people, mail merge the names, and then send it out.

Do you really think that’s going to get a positive response or lead to work?!

Newsflash: It won’t.

#3) Do Research On the Person You’re Emailing

So what do you do instead of bulk emailing every potential client you’ve ever come across?

Here’s a novel idea: you research the person you want to work with, and then send them a personal, thoughtful email.

The chances of finding work from sending five thoughtful emails is better than sending 500 template emails.

It takes time and effort to find qualified people, and do that research – but remember, this is what separates the people seeing success from those who aren’t.

Additional Resources:

#4) Be Consistent With Your Pitches

For as long as you’re a freelance writer, you should always be seeking out work – because as every writer knows, there will be a time, where it will all dry up.

So every single day, set a side a block of time to reach out, make connections, and look for work. Trust me, you’ll be glad you did. And best case scenario? You have too much, and you can hire it out to someone else and make a nice little cut.

Additional Resources:

#5) Expand Beyond Upwork

Upwork is the most popular site out there for freelancers. But did you know there are dozens of other great, lesser known places to find work?

Make a habit of frequenting those and you’ll find a goldmine of opportunity that the casual freelance writer won’t know a thing about.

Additional Resources:

#6) Make Sure Your Site Looks Legit

Let’s put it bluntly: would you want to hire someone who’s website looks like it was designed by an 8 year old?

Probably not.

Technology has come a long way so creating a decent looking website these days isn’t very hard. Spend a bit of time to make sure yours looks good.

Additional Resources:

#7) Create a System and Follow Up

Here’s another place where most freelance writers completely miss the boat (or any freelancer for that matter): they don’t follow up.

Often times you won’t get a response on the first go. Or even the second or third.

This is why following up is so important. And to do this properly, you need a system that makes it easy. 

Luckily, you don’t need to reinvent the wheel on this one. This is the strategy we use (and love):

How to Use Streak for Gmail (And Why It’s a Freelancer’s Best Friend)

#8) Go to In Person Meetups, In Complimentary Industries

Watch the video at the top of the page (Go to 9:10) for a more detailed explanation of why this works so well.

But the bottom line is, if you only go to meetups for writers, you’ll find a bunch of people all looking for the same type of work as you.

But if you’re a writer and you go to say a Search Engine Optimization meetup? There will often be people looking for writing services – making it more likely for you to find work.

Not to mention the fact that building friendships and rapport, is much easier in person.

#9) Don’t Pigeon Hole Yourself

It used to be that for people just starting out writing online, you would jump into “seo writing”. The problem is, that term has basically gone away and has some very negative connotations these days.

So instead of pigeon holing yourself into just one type of writer, we suggest using a broader title like “content writer” as that can span multiple spectrums and client needs.

Additional Resources:

#10) Read Influence: The Psychology of Persuasion

It’s not a book on finding clients, growing a business, or specially about becoming a better writer. But it’s one of the few books I know of that, if taken to heart, will help you do all of these things.

Buy Influence by Robert Cialdini

And that’s it, if you do these 10 things, I guarantee you’ll give yourself a better chance of finding consistent, well paying writing work that will allow you to work from anywhere and spend more time doing the things you love.

The post How to Find More Freelance Writing Clients: 10 Things You Must Do appeared first on Location Rebel.



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IndieView with Christopher Griffith, author of Rick with A (Bipolar) View

The five main characters, Rick, Jenny, Lucy, Jimmy and Paul seemed to be ready made to feed off one another – when character drives plot, that’s when it’s easy to write.

Christopher Griffith – 1 February 2018

The Back Flap

Rick is wracked by the ravages of mental illness. Bipolar disorder, to be exact, although being just a twentysomething he still has enough optimism to see himself through the vagaries of depression and anxiety. His friendships help him, and his love for Lucy, and then there’s his passion for electronic music: Rick doesn’t want a job behind some desk, he wants to be a superstar DJ.

In this coming of age novel, we follow Rick through a week of his life, a week in which he must as ever work through and with his mental illness, treading the tightrope between sanity and bipolar disorder, stability and depression, peace and anxiety, and all whilst he’s dealing with the fluctuating love of friendships for his mates, his sister and his girlfriend.

As the climax of the week approaches, two paths lie open for Rick – an interview on Thursday with the possibility of seeing his twentysomething years morph into mundane, calamitous thirties, or a DJ gig on Friday when electronic music could win the day and see his coming of age crowned by a possible cure for his mental illness, the melody of the music overcoming bipolar disorder, depression and anxiety alike.

About the book

What is the book about?

It’s about a young man called Rick who suffers from bipolar depression, but who is determined not to let it get on top of him; along with his sister, his girlfriend and his two best mates he spends a week building up to his debut DJ gig in a local electronic music club

When did you start writing the book?

I began it in 1999 when I was 23 years old

How long did it take you to write it?

Just three months – it’s stream-of-consciousness so the prose does tend to flow from the pen on to the page

Where did you get the idea from?

The Catcher in the Rye by J.D. Salinger – I absolutely loved the book and wanted to write something similar, giving airtime to the voice of disaffected youth

Were there any parts of the book where you struggled?

It was really difficult writing about Rick’s relapse mid-week in the book; I’d only been diagnosed myself with bipolar a year before, and the emotions involved were still raw

What came easily?

The five main characters, Rick, Jenny, Lucy, Jimmy and Paul seemed to be ready made to feed off one another – when character drives plot, that’s when it’s easy to write.

Are your characters entirely fictitious or have you borrowed from real world people you know?

I never base any character wholly on a real world person; I tend to meld the personalities of several different people I know to create a new one. I don’t think it’s fair to pick up a real person and put them straight into a fictional setting, it’s invasive and it doesn’t work anyway as our judgements about one another are generally pretty flawed; to then transfer them into make believe means we’re already two steps removed from representing reality

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

Forgive me for plugging my other novels here!

Each book I write is really the end result of the particular reading I’ve been engaged with at the time – so Temples of a Fantasy Revenge came about from prolonged encounters with, yes, fantasy novels; in particular, Tolkien, Feist, Hobb, Brooks, Jordan, McKenna. It’s nowhere near as good as these of course, but the influence is still in the writing.

Shakespeare’s Secret Knowledge was the culmination of my studying not just the Renaissance playwrights but also the history of the period, particularly the Reformation; William Ottoway’s Utopia sprung from Shelley’s Frankenstein, Golding’s Lord of the Flies and Garland’s The Beach; Champagne Jealousy and Corin’s Chronicle are a little different as they are based more on an emotion, anger, in the former and an idea, rhythm, in the latter.

Sorry to be round the houses a bit on this one but I think it’s a very good question that’s been asked; my writing style hasn’t been influenced by other authors, but a bit like the way I develop characters I suppose, I take bits and pieces from each author I read and merge them together to create my own work.

Do you have a target reader?

Yes, for Rick with a (Bipolar) View it’s a young adult + audience who are dealing with issues such as friendship, love, sex, music and mental illness; of course, the older audience member wanting to understand these things a little more could well dip their toe in the water here too, as could a slightly younger reader who is beginning to be faced with life choices which may prove a rocky road to negotiate

About Writing

Do you have a writing process? If so can you please describe it?

I tend to be quite disciplined and am a great believer in breaking down the task into smaller chunks – if I’m aiming for a 90,000 word novel, I’ll start with the intention of writing 1,000 words per day for 90 days; of course, real life usually intervenes in which case I’ll drop the target to 750 or 500 words per day, and even then there’ll be days when I simply can’t find the time to compose. But it’s vitally important to keep momentum going, as I’m sure most writers will tell you; you have to stay disciplined to complete the job

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

When I was training to write, we all had to plan out in advance the pieces we’d be composing – that method simply did not work for me. I always write the first word, sentence, paragraph and chapter straight out, then move on from there, planning ahead only so far as my mind’s eye can see. Writing a book is vital, alive, the project lives and breathes and too much planning simply fetters expression, whether that be character, plot or theme

Do you edit as you go or wait until you’ve finished?

I edit as I go; by the time I’ve finished, I’m finished emotionally. I do revise the whole piece once more though, when I have recovered!

Did you hire a professional editor?

I simply didn’t have the funds available to do this; I wish I had, but I do have a long ago qualification in proofreading and I have learnt how to format a novel

Do you listen to music while you write? If yes, what gets the fingers tapping?

Yes, electronic music. I usually put on an old BBC Radio 1 Essential Mix and get myself lost in that whilst I write; I have over the last few years made, in true Rick style, a few mixes myself which you can find at:

https://www.mixcloud.com/Nyktomorph/

About Publishing

Did you submit your work to Agents?

Yes, I started out by scouring the pages of the Writers’ & Artists’ Yearbook, and for several years submitted my work to agents

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

A gradual process definitely – along the way, and it has been around 20 years now, I have received good interest in my work, but I always found myself shrinking from committing to industry because I feared I would be asked to modify, change, alter or in some way hand over property of my work. I am the author, I know my characters, story and theme in each novel better than anyone, and in that regard I am zealously possessive of the pieces I have created. Indie publishing was the obvious step for me to take, and I just regret I didn’t initiate it many years ago.

Did you get your book cover professionally done or did you do it yourself?

I had it professionally done

Do you have a marketing plan for the book or are you just winging it?

It has to be word of mouth because I simply don’t have the funds to market Rick With a (Bipolar) View myself – some of the marketing packages are so phenomenally expensive I have no idea how any indie author can remotely meet their budget. But there are ways a poor writer can market themselves, such as this very generous complimentary interview I have been offered!

Any advice that you would like to give to other newbies considering becoming Indie authors?

Go for it, especially if the traditional routes of publishing haven’t worked for you.

About You

Where did you grow up?

In Surbiton, a suburb of London in Surrey

Where do you live now?

I still live in Surrey. I have lived elsewhere, but there’s no place like home

What would you like readers to know about you?

I have the best day job in the world – I spent several years working in retail for a book shop but for the last decade I have been working as support staff to a sixth form in a local secondary school. During the day, I mix with intelligent, polite, infuriating, happy, sullen, excited, stressed students, and at night I become a writer

What are you working on now?

A sonnet sequence – keep your eye on my Amazon Author Page for its publication.

End of Interview:

Get your copy of Rick with A (Bipolar) View from Amazon US or Amazon UK.



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IndieView with Christopher Griffith, author of Rick with A (Bipolar) View

The five main characters, Rick, Jenny, Lucy, Jimmy and Paul seemed to be ready made to feed off one another – when character drives plot, that's when it's easy to write.

Christopher Griffith – 1 February 2018

The Back Flap

Rick is wracked by the ravages of mental illness. Bipolar disorder, to be exact, although being just a twentysomething he still has enough optimism to see himself through the vagaries of depression and anxiety. His friendships help him, and his love for Lucy, and then there's his passion for electronic music: Rick doesn't want a job behind some desk, he wants to be a superstar DJ.

In this coming of age novel, we follow Rick through a week of his life, a week in which he must as ever work through and with his mental illness, treading the tightrope between sanity and bipolar disorder, stability and depression, peace and anxiety, and all whilst he's dealing with the fluctuating love of friendships for his mates, his sister and his girlfriend.

As the climax of the week approaches, two paths lie open for Rick – an interview on Thursday with the possibility of seeing his twentysomething years morph into mundane, calamitous thirties, or a DJ gig on Friday when electronic music could win the day and see his coming of age crowned by a possible cure for his mental illness, the melody of the music overcoming bipolar disorder, depression and anxiety alike.

About the book

What is the book about?

It's about a young man called Rick who suffers from bipolar depression, but who is determined not to let it get on top of him; along with his sister, his girlfriend and his two best mates he spends a week building up to his debut DJ gig in a local electronic music club

When did you start writing the book?

I began it in 1999 when I was 23 years old

How long did it take you to write it?

Just three months – it's stream-of-consciousness so the prose does tend to flow from the pen on to the page

Where did you get the idea from?

The Catcher in the Rye by J.D. Salinger – I absolutely loved the book and wanted to write something similar, giving airtime to the voice of disaffected youth

Were there any parts of the book where you struggled?

It was really difficult writing about Rick's relapse mid-week in the book; I'd only been diagnosed myself with bipolar a year before, and the emotions involved were still raw

What came easily?

The five main characters, Rick, Jenny, Lucy, Jimmy and Paul seemed to be ready made to feed off one another – when character drives plot, that's when it's easy to write.

Are your characters entirely fictitious or have you borrowed from real world people you know?

I never base any character wholly on a real world person; I tend to meld the personalities of several different people I know to create a new one. I don't think it's fair to pick up a real person and put them straight into a fictional setting, it's invasive and it doesn't work anyway as our judgements about one another are generally pretty flawed; to then transfer them into make believe means we're already two steps removed from representing reality

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

Forgive me for plugging my other novels here!

Each book I write is really the end result of the particular reading I've been engaged with at the time – so Temples of a Fantasy Revenge came about from prolonged encounters with, yes, fantasy novels; in particular, Tolkien, Feist, Hobb, Brooks, Jordan, McKenna. It's nowhere near as good as these of course, but the influence is still in the writing.

Shakespeare's Secret Knowledge was the culmination of my studying not just the Renaissance playwrights but also the history of the period, particularly the Reformation; William Ottoway's Utopia sprung from Shelley's Frankenstein, Golding's Lord of the Flies and Garland's The Beach; Champagne Jealousy and Corin's Chronicle are a little different as they are based more on an emotion, anger, in the former and an idea, rhythm, in the latter.

Sorry to be round the houses a bit on this one but I think it's a very good question that's been asked; my writing style hasn't been influenced by other authors, but a bit like the way I develop characters I suppose, I take bits and pieces from each author I read and merge them together to create my own work.

Do you have a target reader?

Yes, for Rick with a (Bipolar) View it's a young adult + audience who are dealing with issues such as friendship, love, sex, music and mental illness; of course, the older audience member wanting to understand these things a little more could well dip their toe in the water here too, as could a slightly younger reader who is beginning to be faced with life choices which may prove a rocky road to negotiate

About Writing

Do you have a writing process? If so can you please describe it?

I tend to be quite disciplined and am a great believer in breaking down the task into smaller chunks – if I'm aiming for a 90,000 word novel, I'll start with the intention of writing 1,000 words per day for 90 days; of course, real life usually intervenes in which case I'll drop the target to 750 or 500 words per day, and even then there'll be days when I simply can't find the time to compose. But it's vitally important to keep momentum going, as I'm sure most writers will tell you; you have to stay disciplined to complete the job

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

When I was training to write, we all had to plan out in advance the pieces we'd be composing – that method simply did not work for me. I always write the first word, sentence, paragraph and chapter straight out, then move on from there, planning ahead only so far as my mind's eye can see. Writing a book is vital, alive, the project lives and breathes and too much planning simply fetters expression, whether that be character, plot or theme

Do you edit as you go or wait until you've finished?

I edit as I go; by the time I've finished, I'm finished emotionally. I do revise the whole piece once more though, when I have recovered!

Did you hire a professional editor?

I simply didn't have the funds available to do this; I wish I had, but I do have a long ago qualification in proofreading and I have learnt how to format a novel

Do you listen to music while you write? If yes, what gets the fingers tapping?

Yes, electronic music. I usually put on an old BBC Radio 1 Essential Mix and get myself lost in that whilst I write; I have over the last few years made, in true Rick style, a few mixes myself which you can find at:

https://www.mixcloud.com/Nyktomorph/

About Publishing

Did you submit your work to Agents?

Yes, I started out by scouring the pages of the Writers' & Artists' Yearbook, and for several years submitted my work to agents

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

A gradual process definitely – along the way, and it has been around 20 years now, I have received good interest in my work, but I always found myself shrinking from committing to industry because I feared I would be asked to modify, change, alter or in some way hand over property of my work. I am the author, I know my characters, story and theme in each novel better than anyone, and in that regard I am zealously possessive of the pieces I have created. Indie publishing was the obvious step for me to take, and I just regret I didn't initiate it many years ago.

Did you get your book cover professionally done or did you do it yourself?

I had it professionally done

Do you have a marketing plan for the book or are you just winging it?

It has to be word of mouth because I simply don't have the funds to market Rick With a (Bipolar) View myself – some of the marketing packages are so phenomenally expensive I have no idea how any indie author can remotely meet their budget. But there are ways a poor writer can market themselves, such as this very generous complimentary interview I have been offered!

Any advice that you would like to give to other newbies considering becoming Indie authors?

Go for it, especially if the traditional routes of publishing haven't worked for you.

About You

Where did you grow up?

In Surbiton, a suburb of London in Surrey

Where do you live now?

I still live in Surrey. I have lived elsewhere, but there's no place like home

What would you like readers to know about you?

I have the best day job in the world – I spent several years working in retail for a book shop but for the last decade I have been working as support staff to a sixth form in a local secondary school. During the day, I mix with intelligent, polite, infuriating, happy, sullen, excited, stressed students, and at night I become a writer

What are you working on now?

A sonnet sequence – keep your eye on my Amazon Author Page for its publication.

End of Interview:

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