Friday, June 29, 2018

IndieView with Morgan Routh, author of Sarah

Weekdays I wake myself up early and get some exercise and sun, and then I have this really great clarity in my head for writing. Everything is brighter when I take care of my body and my mental health, things make sense – logic, style, scene atmosphere. 

Morgan Routh – 29 June 2018

The Back Flap

In a beautiful city, a sweet girl named Sarah works part-time at the zoo. Everything was exactly the way she likes it, simple, unadorned. She lived in steady happiness. That is until Toni, a gorgeous woman, crashes into her life. Suddenly Sarah is swept into a fashionable and chaotic world, tormented by the call of her old ways and the temptation of the passionate new.

The depth of these new, primal feelings yank her around. Pain and ecstasy she’s never felt before. Should she turn her back on the safety and emotional security of what she knows? Charge recklessly into the arms of this high stakes love? Sarah is alone in her choices, and it is her life that has become the menagerie.

About the book

What is the book about?

Sarah is such a sweet girl, someone who yearns for real companionship. When she finds someone – Toni – she fights with everything she has to make their love happen. And it’s difficult. Crushing anxiety, introversion, fear of the unknown. Sarah must rise, she must gain control of herself to be a worthy lover.

She also has this colorful life around her. Her deep passion at the zoo, loveable friends and co-workers, a suffocatingly loving and conservative mother. This book is complex and beautiful, and when you read it you will live in that passion that envelops Sarah.

When did you start writing the book?

I started in 2015. I spend my mornings climbing this pretty mountain by my house, and I tell my dad stories to pass the time. Sarah started there, and I couldn’t let her go.

How long did it take you to write it?

Three and a half years. She’s been on my mind every day. I’m so excited that she’s out there now. One of my neighbors flagged me down on a dog walk and started asking about the chess game in chapter three, it was so weird to have someone casually talk about Sarah the way I think about her. She’s come alive!

Where did you get the idea from?

She’s as real to me as anyone else. My fictional tale started with “There’s this girl, and she’s a friend of mine. She loves her job at the zoo, but she’s got these love problems — stuff that she can’t admit to anyone, not her friends, not her mom, sometimes not even to herself.”

Were there any parts of the book where you struggled?

No! It’s fantastic. My other writings have always been a struggle against silence. My first novel, Moogie Covenant, just tore me up. Sarah though, she’s such a sweetheart. The words practically wrote themselves. And the sequel (Toni’s side) is also writing itself.

What came easily?

The humor for sure. This book takes many deep, dramatic turns, but it also bounces right back up into feathery, goofy fun. Sarah has such a creative imagination, and she projects onto the animals that she cares for. Everything around her is so lively and imaginative at the zoo. I certainly had a spring in my fingertips when I wrote it.

Are your characters entirely fictitious or have you borrowed from real world people you know?

Almost all of my friends are a motley crew of introverts. I have definitely sponged up a great deal of their anxieties through the years. But I have also seen the quiet complexity that hints behind their seemingly muted personas. When I wrote Sarah I certainly had in mind that introverts hate in art and media when people depict a grown introvert equals an extrovert. The answer to introversion is not extroversion, but a better sense of control. Sarah learns to stand her ground and be the person she wants to be. She doesn’t need loud validation to experience it either.

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

I love George Orwell. I’ve read everything he’s ever written. Letters, early books, articles, short stories. He used to be a professional book reviewer, long before he was a fulltime novelist. I like to sit down and get to know an author’s full bibliography and their natural rhetoric style.

It’s like meeting a new friend and putting together a puzzle at the same time. And I think that rounded view helps me shape the realism in my own characters. Many people have said that they know my characters like real, unique people. Even those who don’t read the genres I work in say that they can empathize well with characters like Sarah and Toni.  I think the way I consume writers has a lot to do with that.

Do you have a target reader?

Anyone who likes to buckle down and seriously get into books. This series, Present Intimacy, is for everyone who likes romance and good relationship stories. It’s youthful, it’s a fresh style and has the lightness of contemporary writing, but it also had a deep richness beneath. Every word has meaning. Every detail has a payoff.

About Writing

Do you have a writing process? If so can you please describe it?

Yes. I sit down and bang on the keyboard. I have my trusty Great Dane snoozing at my feet. The key is that I keep the sugar and bad sleep for the weekends. Weekdays I wake myself up early and get some exercise and sun, and then I have this really great clarity in my head for writing. Everything is brighter when I take care of my body and my mental health, things make sense – logic, style, scene atmosphere.

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

Start to finish I already have the story in my head. I do outline. I leave room for tangents that I wander off to. Sometimes I skip around, building up this pile to sift through once I get to future parts of the story. Most of the storytelling aspects come from a more subconscious part of me.

Do you edit as you go or wait until you’ve finished?

I do both. Everything must feel essential to the reader. I’m not one to self-indulgently keep an element here or there because it was shiny or I had fun writing it. I’ve read my texts many times, continually going back and sneaking in new hints for the middle and later parts of the book and sequels. People say they have trouble skimming or skipping around in my books because they are worried they’ll miss something.

Did you hire a professional editor?

In college I had a strong social and forensic linguistics background. I also dabbled in English history, rhetorical grammar, and I’ve read Chaucer in Middle English. I am acquainted with English in a deep way, and it gives me a certain vision for editing that most self-published authors don’t have. The writing is professional and artistically meaningful, and I’m very territorial when it comes to developing my work. When the books come out my editor is my audience, I hyper-listen to how they react to it, what they want. They are the ones that matter, and I make edits when they need me to.

Do you listen to music while you write? If yes, what gets the fingers tapping?

Nope. I need dead silence and pure darkness to write.

About Publishing

Did you submit your work to Agents?

No I did not. I manage everything myself so that I work directly with my readers.

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

It has never been a question. I have always wanted to work independently. I appreciate the full responsibility and autonomy of my writing abilities. It’s a difficult road. But every reader is going to get my best, and I care for my readers and the community around the art in ways that most writers and publishing houses cannot.

Did you get your book cover professionally done or did you do it yourself?

This cover is by a wonderful graphic artist named Tsvety Genova. She’s a fiery redhead in Russia. She blended a sexier side of Sarah with nightclub elements in the novel.

Do you have a marketing plan for the book or are you just winging it?

I am winging it! All advice and guidance are welcome! Funny story, on the first day I went out and circulated the book to all my friends and family, AND the entire neighborhood. I was surprised to discover just how excited many of the older neighbors were to read my romance. I got a few “Oh honey, you write that kind of romance?” I could just see little shivers going up their spines.

Any advice that you would like to give to other newbies considering becoming Indie authors?

Write what makes you happy. Write what you are passionate about, and don’t let the naysayers knock you off your track.

About You

What would you like readers to know about you?

Sarah is the first novel of a long series. Please sign up for my mailing list so that you don’t miss the next one!  You’re in for a fantastic ride. All of my info is at MorganRouth.com

End of Interview:

Get your copy of Sarah from Amazon US or Amazon UK.

 



from The IndieView https://ift.tt/2tWdRwv

IndieView with Morgan Routh, author of Sarah

Weekdays I wake myself up early and get some exercise and sun, and then I have this really great clarity in my head for writing. Everything is brighter when I take care of my body and my mental health, things make sense – logic, style, scene atmosphere. 

Morgan Routh – 29 June 2018

The Back Flap

In a beautiful city, a sweet girl named Sarah works part-time at the zoo. Everything was exactly the way she likes it, simple, unadorned. She lived in steady happiness. That is until Toni, a gorgeous woman, crashes into her life. Suddenly Sarah is swept into a fashionable and chaotic world, tormented by the call of her old ways and the temptation of the passionate new.

The depth of these new, primal feelings yank her around. Pain and ecstasy she's never felt before. Should she turn her back on the safety and emotional security of what she knows? Charge recklessly into the arms of this high stakes love? Sarah is alone in her choices, and it is her life that has become the menagerie.

About the book

What is the book about?

Sarah is such a sweet girl, someone who yearns for real companionship. When she finds someone – Toni – she fights with everything she has to make their love happen. And it's difficult. Crushing anxiety, introversion, fear of the unknown. Sarah must rise, she must gain control of herself to be a worthy lover.

She also has this colorful life around her. Her deep passion at the zoo, loveable friends and co-workers, a suffocatingly loving and conservative mother. This book is complex and beautiful, and when you read it you will live in that passion that envelops Sarah.

When did you start writing the book?

I started in 2015. I spend my mornings climbing this pretty mountain by my house, and I tell my dad stories to pass the time. Sarah started there, and I couldn't let her go.

How long did it take you to write it?

Three and a half years. She's been on my mind every day. I'm so excited that she's out there now. One of my neighbors flagged me down on a dog walk and started asking about the chess game in chapter three, it was so weird to have someone casually talk about Sarah the way I think about her. She's come alive!

Where did you get the idea from?

She's as real to me as anyone else. My fictional tale started with "There's this girl, and she's a friend of mine. She loves her job at the zoo, but she's got these love problems — stuff that she can't admit to anyone, not her friends, not her mom, sometimes not even to herself."

Were there any parts of the book where you struggled?

No! It's fantastic. My other writings have always been a struggle against silence. My first novel, Moogie Covenant, just tore me up. Sarah though, she's such a sweetheart. The words practically wrote themselves. And the sequel (Toni's side) is also writing itself.

What came easily?

The humor for sure. This book takes many deep, dramatic turns, but it also bounces right back up into feathery, goofy fun. Sarah has such a creative imagination, and she projects onto the animals that she cares for. Everything around her is so lively and imaginative at the zoo. I certainly had a spring in my fingertips when I wrote it.

Are your characters entirely fictitious or have you borrowed from real world people you know?

Almost all of my friends are a motley crew of introverts. I have definitely sponged up a great deal of their anxieties through the years. But I have also seen the quiet complexity that hints behind their seemingly muted personas. When I wrote Sarah I certainly had in mind that introverts hate in art and media when people depict a grown introvert equals an extrovert. The answer to introversion is not extroversion, but a better sense of control. Sarah learns to stand her ground and be the person she wants to be. She doesn't need loud validation to experience it either.

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

I love George Orwell. I've read everything he's ever written. Letters, early books, articles, short stories. He used to be a professional book reviewer, long before he was a fulltime novelist. I like to sit down and get to know an author's full bibliography and their natural rhetoric style.

It's like meeting a new friend and putting together a puzzle at the same time. And I think that rounded view helps me shape the realism in my own characters. Many people have said that they know my characters like real, unique people. Even those who don't read the genres I work in say that they can empathize well with characters like Sarah and Toni.  I think the way I consume writers has a lot to do with that.

Do you have a target reader?

Anyone who likes to buckle down and seriously get into books. This series, Present Intimacy, is for everyone who likes romance and good relationship stories. It's youthful, it's a fresh style and has the lightness of contemporary writing, but it also had a deep richness beneath. Every word has meaning. Every detail has a payoff.

About Writing

Do you have a writing process? If so can you please describe it?

Yes. I sit down and bang on the keyboard. I have my trusty Great Dane snoozing at my feet. The key is that I keep the sugar and bad sleep for the weekends. Weekdays I wake myself up early and get some exercise and sun, and then I have this really great clarity in my head for writing. Everything is brighter when I take care of my body and my mental health, things make sense – logic, style, scene atmosphere.

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

Start to finish I already have the story in my head. I do outline. I leave room for tangents that I wander off to. Sometimes I skip around, building up this pile to sift through once I get to future parts of the story. Most of the storytelling aspects come from a more subconscious part of me.

Do you edit as you go or wait until you've finished?

I do both. Everything must feel essential to the reader. I'm not one to self-indulgently keep an element here or there because it was shiny or I had fun writing it. I've read my texts many times, continually going back and sneaking in new hints for the middle and later parts of the book and sequels. People say they have trouble skimming or skipping around in my books because they are worried they'll miss something.

Did you hire a professional editor?

In college I had a strong social and forensic linguistics background. I also dabbled in English history, rhetorical grammar, and I've read Chaucer in Middle English. I am acquainted with English in a deep way, and it gives me a certain vision for editing that most self-published authors don't have. The writing is professional and artistically meaningful, and I'm very territorial when it comes to developing my work. When the books come out my editor is my audience, I hyper-listen to how they react to it, what they want. They are the ones that matter, and I make edits when they need me to.

Do you listen to music while you write? If yes, what gets the fingers tapping?

Nope. I need dead silence and pure darkness to write.

About Publishing

Did you submit your work to Agents?

No I did not. I manage everything myself so that I work directly with my readers.

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

It has never been a question. I have always wanted to work independently. I appreciate the full responsibility and autonomy of my writing abilities. It's a difficult road. But every reader is going to get my best, and I care for my readers and the community around the art in ways that most writers and publishing houses cannot.

Did you get your book cover professionally done or did you do it yourself?

This cover is by a wonderful graphic artist named Tsvety Genova. She's a fiery redhead in Russia. She blended a sexier side of Sarah with nightclub elements in the novel.

Do you have a marketing plan for the book or are you just winging it?

I am winging it! All advice and guidance are welcome! Funny story, on the first day I went out and circulated the book to all my friends and family, AND the entire neighborhood. I was surprised to discover just how excited many of the older neighbors were to read my romance. I got a few "Oh honey, you write that kind of romance?" I could just see little shivers going up their spines.

Any advice that you would like to give to other newbies considering becoming Indie authors?

Write what makes you happy. Write what you are passionate about, and don't let the naysayers knock you off your track.

About You

What would you like readers to know about you?

Sarah is the first novel of a long series. Please sign up for my mailing list so that you don't miss the next one!  You're in for a fantastic ride. All of my info is at MorganRouth.com

End of Interview:

Get your copy of Sarah from Amazon US or Amazon UK.

 



from The IndieView https://ift.tt/2tWdRwv

Thursday, June 28, 2018

Dyneema Composite Fabrics FAQ

Dyneema Composite Fabrics - FAQ3

What is Dyneema Composite Fabric (DCF)?

Dyneema Composite Fabric is a non-woven, laminate material that is used to make ultralight backpacking gear including backpacks, tents, tarps, footprints, stuff sacks, and backpack rain covers. It is made by sandwiching ultra-high-weight-molecular polyethylene Dyneema fibers with polyester to produce an exceptionally lightweight, strong, and waterproof material. Dyneema fibers are 15 times stronger than steel by weight, which gives the material its strength.

DCF is available in different thicknesses and weights which are used to make different types of products. Heavier DCF has a higher density of Dyneema threads that increase its strength. Hybrid variants of DCF are laminated with polyester to make them even more abrasion-resistant. For instance, products like backpacks, tents, and tarps take a beating because they come in contact with rough grand so frequently. Polyester coated DCF is also is also easier to dye, providing a wider range of color options.

What is the difference between Dyneema Composite Fabric and Cuben Fiber?

Dyneema Composite Fabric used to be called cuben fiber, CTF3, or non-woven Dyneema. Originally developed to make ultralight sailboat racing sails, cuben fiber was made and marketed by a company called Cubic Tech. Cubic Tech was subsequently acquired by a Dutch Company named Koninklijke DSM N.V, the makers of the Dyneema fibers which are used to make cuben fiber. They renamed and rebranded cuben fiber as "Dymeema Composite Fabric" after the acquisition.

What is the difference between Dyneema X and DCF?

Dyneema X is ripstop nylon with a PU coating that has Dyneema branded fiber woven into it for enhanced durability. with a very tight grid pattern. It's used by many backpack makers, usually in a 210 denier weight fabric. Dyneema X is not non-woven DCF. Calling "Dyneema X" a dyneema fabric is mostly a marketing tool and fairly misleading as the huge bulk of the fabric is just nylon.

How much lighter weight is DCF than other materials used to make ultralight backpacking gear?

You can expect a 25-50% weight reduction by using an item made with DCF. For example, silicon impregnated nylon (silnylon), another popular material for making ultralight backpacks, tents, tarps, stuff sacks, rain gear, and backpack covers, is two to four times heavier than the DCF used for similar applications and products.

How expensive is ultralight backpacking gear made with DCF?

Gear made with DCF is typically 50-75% more expensive than gear made with more conventional fabrics. It is also more labor intensive to make gear with since most of the work must be done manually by highly skilled workers in the United States and can't be outsourced to Vietnam or China. For example, backpacking gear made with DCF is often taped together by hand instead of sewn, requiring gear companies to evolve highly manual fabrication and styling processes to create products using it.

What other benefits does DCF  provide besides weight reduction?

DCF is a waterproof material that doesn't absorb water like nylon or other woven fabrics. This makes it ideal for making tents, shelters, and backpacks. It also does not stretch like silnylon (used to make ultralight backpacking tents and tarps), eliminating the need for you to adjust tent or tarp guylines at night to counteract fabric sag. DCF is also very tear resistant because the Dyneema fibers embedded in it are so strong. This, in addition to its light weight, was why it was used to make large racing sails.

There's not such thing as a perfect material for making backpacking gear. What are some of the weakness or disadvantages of using backpacking gear made with DCF?

The DCF used to make tents and tarps is translucent and lets in light that can disturb people who are sensitive to it. Being translucent, it also provides limited privacy, unlike solid fabrics which prevent you from seeing occupants or their backlit silhouettes.

Some sewing is required when making DCF backpacks in order to attach non-DCF shoulder straps, webbing straps, pockets, and hip belts. This creates holes in the fabric which can leak water if not seam sealed or taped. This is the reason that most DCF backpack manufacturers have stopped claiming that their backpacks are watertight, even though DCF is a non-absorbent, waterproof material.

Gear made with DCF occupies more space when stuffed rather than folded or rolled. Frequent folding and unfolding can also weaken the material resulting in fraying or holes, particularly in stuff sacks.

What colors is DCF available in?

Regular DCF is available in light green, light blue, and white. It is used mainly for making tents, tarps, stuff sacks, and backpack covers. Hybrid forms of DCF covered with thicker polyester are easier to dye. They are often available in black, blue, green, orange, or camouflage.

Why don't all backpacking gear manufacturers switch to using DCF if it's so great?

DCF is far more expensive to make gear with than other more conventional fabrics and most consumers are unwilling to pay extra for it. That's unlikely to change unless the cost of DCF drops and automated fabrication processes are invented and tooled to reduce labor costs.

There are also several alternative materials that are comparable to DCF in terms of waterproofness and durability including XPAC and high denier high tenacity nylons called Robic, which are far less expensive. XPAC has also been in use far longer than DCF by mainstream backpacking gear manufacturers.

What companies make ultralight backpacking gear using DCF?

Dozens, but some of the largest, most experienced manufacturers include Hyperlite Mountain GearZpacks.com, and Mountain Laurel Designs, although many smaller companies also create products using the material on a smaller scale.

Where can you buy DCF if you are interested in making your own backpacking gear?

Ripstop by the Roll and MakeYourGear.com are two companies that sell small volumes of DCF and tape to consumers who want to make their own gear.

Published 2018.

SectionHiker.com receives affiliate compensation from retailers that we link to if you make a purchase through them, at no additional cost to you. This helps to keep our content free and pays for our website hosting costs. Thank you for your support.

The post Dyneema Composite Fabrics FAQ appeared first on Section Hikers Backpacking Blog.



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Wednesday, June 27, 2018

Bikepacking Frame Bags vs Panniers: How to Choose

Bikepacking Bags vs Panniers

Bikepacking is an emerging sport that combines bicycle touring and backpacking. It's different from conventional paved bicycle touring because it favors off-road routes over gravel and dirt roads, ATV and snowmobile routes, XC ski trails, logging roads and even hiking trails where bikes are permitted to travel. Instead of road bikes, mountain bikes and fat bikes are the norm, with an emphasis on ultralight and highly compressible backpacking gear since off-road cycling is so energy intensive.

Bikepacking Bags

Bikepacking bags come in all shapes and sizes, but the emphasis is on keeping your load as close to your bikes center of gravity as possible for balance and so you can ride down narrow single-track without having overhanging vegetation tear it off. As a consequence, bikepacking bags are low volume and can't hold much gear, so you need a lot of them, or you need to slash your backpacking gear list to a minimum and only carry the absolute essentials.

  • Frame Bags – fit into the gap under your top tube and seat post. Good for carrying tools and tubes.
  • Handlebar Bags – a higher volume dry bag that hangs off the handlebar. Good for tents and food.
  • Seat Packs – a higher volume dry bag that attaches to the seat post. Good for sleeping bags and clothing.
  • Top Tube Bags – small bag that goes on top of the top tube. Good for snacks, phone keys.
  • Fork Bags – bottle-sized bags that connect to the front fork. Good for less fragile accessories.

Bikepacking bags are also surprisingly heavy and overbuilt because they need to incorporate some sort of attachment system to hang off your bike, be it a metal rack to connect to your front fork or velcro strapping to wrap around your top tube and step. When push comes to shove, many riders also carry a hydration pack or even a backpack so they can haul all their gear and food – which is pretty sub-optimal on long rides.

While panniers provide less side clearance than bikepacking bags, they're much easier to pack
While panniers provide less side clearance than bikepacking bags, they're easier to pack.

Panniers

Panniers are waterproof bags that hang off racks situated over your rear wheel for on your front fork. They come in a wide range of sizes and sizes, making it easy to overpack for a bikepacking trip and haul too much heavy gear if you're not disciplined. They also require more side clearance than bikepacking bags and front panniers can seriously impede the visibility of your front wheel, something that's very important when riding over rough terrain.

While pannier racks are almost universally compatible with road bikes, the same can't be said about mountain bikes or fat bikes which often don't have the braze-ons or mounting points for adding pannier racks. That's changing, but it's one of the reasons why bikepacking bags evolved for off-pavement riding. You also need to be careful to buy a rack that's compatible with the mechanical or hydraulic disc brakes commonly found on mountain bikes and fat bakes and has clearance for a wider tire.

Panniers on a Fat Bike
Panniers on my Fat Bike

How to Choose

I wrestled with the choice between bikepacking bags and panniers for most of last year when I was first getting into bikepacking. If you're an experienced lightweight or ultralight backpacker, it's easy to assume that bikepacking bags are the way to go and that you won't have any problems minimizing the gear you need to fit into them. Ah hem. It wasn't easy. It was expensive and I ended up preferring panniers much more than bikepacking bags.

I own two bikepacking bikes, a gravel bike with drop bars and a fat bike with 5″ wheels, and use panniers on both. I never ride single-track and prefer piecing together routes that

Here's a summary of my key takeaways comparing the pros and cons of both packing systems:

Bikepacking Bags

  • Pros
    • Easier to access gear while you're riding, so you don't have to stop.
    • Easier to separate bike repair tools from backpacking gear and keep track of it.
    • Removes the temptation to carry non-essentials.
    • Compatible with all types of bikes.
  • Cons
    • Outrageously expensive.
    • Spend lots of time attaching and removing bags in the morning and at night.
    • Hard to develop a consistent packing system across different trips w/ different gear.
    • Often requires the use of a backpack to augment storage.
    • Hard to secure when you stop in town to prevent theft.
Carrying a backpack for "overflow" storage
Carrying a backpack for "overflow" storage and hydration.

Panniers

  • Pros
    • Inexpensive.
    • Interchangeable – use different pannier sets with the same rack for different length trips.
    • Easy to remove and carry when you stop in town to prevent theft.
    • Pannier rack is a convenient shelf to carry more gear with straps.
    • Often only need rear panniers if you pack conservatively, preserving front tire visibility.
    • Easy to organize gear because the storage works more like a backpack.
    • Easy to use the same panniers on different bikes.
  • Cons
    • Wider profile than bikepacking bags makes it harder to carry your bike across obstacles or push uphill.
    • Increases temptation to overpack.
    • Some bikes lack mount points to attach pannier racks.
    • Can be difficult to find a rack that is compatible with disc brakes and fat tires (try this one).
I like using a frame bag to sore my bike repair gear and panniers for my camping gear
Mix and Match: I like using a frame bag to store my bike repair gear and panniers for my camping gear

Comparison Table

When comparing bikepacking bags and panniers, remember that you'll probably need multiple bags to get the same amount of storage provided by provided by a pair of rear panniers.

Make and Model Type Volume Price
Revelate Designs Terrapin Seat Pack 14L $145
Ortlieb Seat Pack Large Seat Pack 16.5L $160
Oveja Negra Gear Jammer Seat Pack 12L $130
Blackburn Outpost Seat Pack 11L $120
Revelate Designs Sweetroll Handlebar Bag 14L $110
Ortlieb Handlebar Pack Handlebar Bag 9L $125
Salsa EXP Anything Cradle and Bag Handlebar Bag 15L $200
Revelate Designs Tangle Frame Bag 4L $90
Salsa Cutthroat Frame Bag 15L $200
Topeak Midloader Frame Bag 4.5L $56
Ortlieb Bikepacking Cockpit Top Tube Bag 0.8L $55
Relevate Designs Mag tank Top Tube Bag 1L $59
Ortlieb Gravel Pack Panniers Rear Pannier Bags (2) 25L $170
Ortlieb Bikepacker Plus Rear Pannier Bags (2) 42L $240
Nashbar Waterproof Rear Paniers Rear Pannier Bags (2) 62L $90
Arkel Dry-Lites Rear Pannier Bags (2) 28L $90

Wrap Up

Most bikepackers aren't orthodox about the type of storage they bring on bikepacking trips. The best approach I've found is to is to mix and match, depending on your preferences and budget. For example, I like riding with a frame bag because it lets me keep my bike repair tools and tubes separate from my camping gear. But the simplicity of using a pair of panniers over a million little bikepacking bags seals the deal for me, regardless if I'm riding a fat bike or a more conventional gravel bike.

Published 2018.

SectionHiker.com receives affiliate compensation from retailers that we link to if you make a purchase through them, at no additional cost to you. This helps to keep our content free and pays for our website hosting costs. Thank you for your support.

The post Bikepacking Frame Bags vs Panniers: How to Choose appeared first on Section Hikers Backpacking Blog.



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Tuesday, June 26, 2018

The Firewarden’s Loop Trip Plan: Backpacking the White Mountain 4000 Footers Guidebook

Backpacking a Firewardens Loop

The Fire Warden's Loop is a 2-3 day, 18 mile backpacking route that climbs four 4000 footers: Hale, Zealand, South Twin, and North Twin. All four of these peaks surround the Little River Valley but aren't normally climbed together as a group by day hikers because there isn't an obvious loop to follow. While there's a trail from the North Twin Trailhead to North Twin Mountain, there's not a well-known trail linking Hale to the valley floor.

However, there used to be a fire tower on Hale (removed in 1972) and a road leading to it that was named the Mt Hale Trail. It's known today as the Fire Warden's Trail and is still used by winter hikers and backcountry skiers to climb Hale when the roads to trails on the other side of the mountain are closed in winter. That old trail has been kept open (although it's not listed in the White Mountain Guide or Appalachian Mountain Club Maps) and makes it possible to climb all four peaks in a continuous loop. This isn't atypical in the Whites. There are a lot of old logging roads and herd paths used by hikers that aren't "officially" recognized, but are still widely used. Their routes are frequently available in apps and online mapping programs that incorporate open-source GPS data like the GaiaGPS app and Caltopo.com.

This trip starts with an ascent of Hale on the Fire Warden's Trail, before dropping down to the AMC's Zealand Hut on the Lend-a-Hand Trail. From there, it climbs to an open cliff called Zeacliff, which has a great view of Zealand Notch and the Whitewall Mountain Cliffs. After passing a small alpine lake called Zeacliff Pond, hikers summit Mt Zealand, followed by Mt Guyot. Next, the route follows the Twinway to South Twin Mountain, before traveling out to North Twin Mountain and dropping steeply down to the route's beginning in the Little River Valley.

Optional Extension: You can easily add West Bond, Bondcliff, and Mt Bond, to this route. All three of these peaks are in close proximity to Mt Guyot and the Guyot Tentsite, which is a convenient campsite along the route.

Fire Warden's Loop

Rating/Difficulty

****/3 out of 5

Distance/Elevation Gain

18 miles w/5600′ of cumulative elevation gain

White Mountain 4000 Footers

  • Hale
  • Zealand
  • South Twin
  • North Twin
  • West Bond, Mt Bond, Bondcliff (optional extension)

Recommended Duration

2-3 days

Season

June thru October

Permits Required

None.

Regulations

Backcountry Camping Regulations for the White Mountain National Forest.

New to the White Mountains? Read this Quick and Dirty Guide to Backpacking in the White Mountains for information about camping regulations, road access, trail shuttles, lodging, dangerous wildlife, weather, etc.

Trailhead Directions

Trail Sequence

The route follows the following trails in sequence. With the exception of the Fire Warden's Trail, refer to the AMC White Mountains Trail Map 2: Franconia-Pemigewasset (2017 ed), which is the best waterproof map available for this region, although I'd recommend buying the complete AMC White Mountain Waterproof Map Set (2017 ed) rather than one map at a time, because it's less expensive that way. In addition to the GeoPDF and GPX file found attached to this route plan, the Fire Warden's Trail is clearly marked in the GaiaGPS App (iPhone & Android) on the Gaia Topo Base Map.

Detailed trail descriptions can also be found in the AMC White Mountain Guide (2017 ed), which is considered the hiking bible for the region. Take photos of the relevant pages using your phone for easy reference, instead of carrying the entire book with you on hikes.

  • North Twin Trail – 1.0 miles
  • Fire Warden's Trail – 2.1 miles
  • Lend-a-Hand Trail – 2.7 miles
  • Twinway to Zealand Mountain Spur Tr – 2.8 miles
  • Zealand Mountain Spur Tr – 0.2 miles (out and back)
  • Twinway to Bondcliff Trail Junction – 1.3 miles
  • Twinway to South Twin Summit – 2.0 miles
  • North Twin Spur Trail – 1.3 miles
  • North Twin Trail – 4.3 miles

18 miles with 5500′ elevation gain.

Scenic Highlights

The following list provides cumulative distances on the route to each view or landmark.

  • Mt Hale Summit – 3.1 miles
  • Zealand Hut – 5.8 miles
  • Zeacliff – 7.0 miles
  • Zeacliff Pond – 7.4 miles
  • Zealand Summit 8.7 miles
  • Mt Guyot Summit – 10 miles
  • South Twin Summit – 12 miles
  • North Twin Summit – 13.3 miles

Camping and Shelter Options

Water

Natural water sources are plentiful in the White Mountains although you may need to descend to them from ridgelines along side trails if you run short. In any case, carry a detailed topographic map with you and don't rely on the overview map provided with this trip description to find water sources.

I also recommend purchasing the WMNF Pemigewasset Map in Guthook Guide's New England Hiker Smartphone App (IOSAndroid) which is a GPS guide to all of the trails, trailhead, shelters, campsites, views, and water sources in the White Mountains National Forest. I use it all the time and it is much more complete and current than using the maps bundled with the Gaia Smartphone App.

On the Trail

Follow the North Twin Trail for 1.0 miles to the first river crossing. Just before the trail reaches the river bank, turn left onto an unmarked side path and follow it for 0.4 miles, staying close to the hillside on your left. Look for a tree up a slight incline on your left that has had a blaze chopped into it, and turn left hiking uphill to continue on the Fire Warden's Trail.

The Fire Warden's Trail is easy to follow even though, like many trails in the White Mountains, it's largely unblazed
The Fire Warden's Trail is easy to follow even though, like many trails in the White Mountains, it's largely unblazed

Note: Chopping blazes into trees violates the principles of Leave No Trace. Most White Mountain Hikers were horrified to discover that someone had marked the trail in this manner since it's so unnecessary, and it violates White Mountain National Forest Regulations.

The Fire Warden's Trail, like many trails in the White Mountain National Forest, is largely unblazed. However, the trail is still heavily used and the path is easy to follow. Running along an old road bed, the trail is a well beaten path, with surprisingly few rocks to clamber over as it climbs uphill. If you encounter a tree blocking the path (called a blow-down), just detour around it and the path will continue heading uphill on the other side.

If you encounter a blow down or shrubbery overhanging the trail, just walk around it and keep hiking up the obvious trail tread
If you encounter a blow down or bushes overhanging the trail, just walk around it and keep hiking up the obvious trail tread on the other side

As you approach the summit of Hale, there a good view through trees of Mt Washington's east side and the ridgeline between Mt Jefferson and Mt Monroe. The Fire Wardens Trail runs directly to the Hale summit which is viewless. It has a large rock cairn at the top, with magnetic rocks that can play tricks on your compass.

Follow the lend-a-hand trail to the AMC Zealand Hut
Follow the lend-a-hand trail to the AMC Zealand Hut

From the Hale summit, follow the signed Lend-a-Hand Trail which runs down to the Appalachian Mountain Club's Zealand Hut. When you reach the section of this forest trail that has wooden boardwalks, slow your pace way, way down to avoid slipping and falling on them if they're wet. If you do fall, try to land on the base of your backpack where you're sleeping bag is packed because it will cushion the fall.

When you arrive at the hut, drop your pack on the porch and go inside to visit with the crew. You don't have to be a paying guest to visit and it's a good place to stop for a rest and refill water bottles from the indoor taps. The Hut is also a good place to spend the night if you want to follow this route at a leisurely pace. Reservations are highly recommended though, especially in the summer and autumn.

All of the huts, major junctions, and fragile areas of the Whites are surrounded by Forest Protection Areas (FPA), usually 1/4 to 1/2 mile in diameter, where camping is prohibited. They're all marked by signs nailed to trees that announce when you're entering or leaving them. While I can't recommend it, there is also large pre-existing campsite on the Ethan Pond Trail, south of the Zealand Hut, near the perimeter of the FPA surrounding Zealand Falls. Heavily used by AT Thru-hikers, it's not the prettiest campsite by a long shot, but you can camp there for free in a pinch.

Appalachian Mountain Club's Zealand Hut
Appalachian Mountain Club's Zealand Hut

Leave Zealand Hut and climb up the Twinway Trail to Zeacliff, a cliff face that overlooks Zealand Notch and the Whitewall Mountain cliffs on its far side. The climb up to Zeacliff is steep and rocky, ascending 900 feet in 1.2 miles, but it's the last significant climb on the route. At the top of the climb, follow a signed side trail to the viewpoint. There's a good view of Presidential Range in addition to the cliffs.

View of Whitewall Mountain Cliffs from Zeacliff
View of Whitewall Mountain Cliffs from Zeacliff

From the cliff, head north along the Twinway which is the major trunk trail along the northern rim of the Pemigewasset Wilderness. It also coincides with the Appalachian Trail, so you're likely to run into thru-hikers between July and September as they head towards Maine.

As you approach Zealand Mountain, you'll pass a 0.1 mile side trail to tiny Zeacliff Pond on your left. Depending on the year and the time of season, Zeacliff Pond may be beautiful or just plain nasty. It does have a great view of Mt Carrigan in the distance though, which is well worth checking out. Local naturalist Alex MacPhail has a wonderful description of the pond's origins on his White Mountain Sojourn Blog, that's worth a quick read if you're interested in mountain pond ecology and the geological forces that help create them. For instance, I learned that the difference between a pond and a lake is whether or not sunlight can reach the bottom.

Zealand Mountain Summit Sign
Zealand Mountain Summit Sign

Continue along the Twinway until you reach the 0.1 mile spur trail that leads to the Zealand Mountains summit. The summit is viewless and hemmed in by spruce, with barely enough space to get your photo under the sign. While it may feel like you're not on a 4000 footer, rest assured, you're at 4260′ of elevation. That's the beauty of ridge walks, something that the White Mountains has in abundance. Once you climb to a ridge crest, you can hike along it picking off one summit after another, with less incremental effort.

Continue along the Twinway towards Mt Guyot (pronounced Gee-oh, with a hard 'g'.) The mountain is named after Professor Arnold H. Guyot(1807–1884), who's credited with drawing the first map of the White Mountains. Guyot is a 4000 footer although it's not on the AMC 4000 footer list because its summit is too close to other peaks that are.

That's the funny thing with peakbagging lists, they are not a literal reflection of the landscape (The Adirondack 46ers 4,000 footer list contains several peaks less than 4,000 feet in height), but very much a man-made abstraction. For example, Guyot is considered a 4000 footer on another White Mountains peakbagging list called the Trailwrights 72, which lists 24 additional mountains that are 4000 feet or higher, beyond the 48 peaks included on the AMC 4000 footer list.

Cairns on Mt Guyot
Cairns on Mt Guyot

Guyot is a pretty peak with a graceful bald summit dome topped with rock cairns. It's also a major crossroads linking the Bondcliff Trail to the Twinway, putting the Bonds (West Bond, Mt Bond, and Bondcliff) within spitting distance if you want to add them to this route. The Bondcliff Trail also leads to the AMC's Guyot Shelter and Tent Platforms in 0.8 miles, which is a good place to camp (the only nearby place to camp) or refill your water if you're running low.

South Twin is a huge mountain (4902') on the north rim of the Pemigewasset Wilderness
South Twin is a huge mountain (4902′) on the north rim of the Pemigewasset Wilderness

From the Guyot summit, continue northwest on the Twinway, passing through dense woods, to the summit of South Twin Mountain, where t he view of Franconia Ridge and Mt Garfield more than makes up for the lack of views on Mts Hale and Zealand. On a clear summer days, you can even see hang gliders soaring above Franconia Ridge on the hot air thermals.

Ledges on North Twin Mountain
Ledges on North Twin Mountain

From South Twin, turn right onto the North Twin Spur Trail, reaching the summit of North Twin in 1.3 miles, passing open ledges  with more great views. There's also a short side trail from the summit cairn to another ledge overlooking Mt Garfield and its sub-peaks, which is a great place for lunch or to admire the view.

Continue onto the North Twin Trail, which descends steeply down to the Little River Valley for 4.3 miles. The descent requires three stream crossings, which can be difficult in high water. Being a steep and narrow valley, the Little River can flash up quickly during a heavy rain event, so check the weather during the dates of your hike to avoid heavy rain. If you do find yourself unable to cross safely during high water, wait for the water level to drop until it's safe to cross. The Little River has a small watershed and the levels will drop quickly.

Little River Water Crossing
Little River Water Crossing

After the final water crossing, it's a short walk back to the North Twin Trailhead where this route began. If it's warm out, there are many fine cascades and pools along the river where you can swim and cool off. I haven't found any trout yet in this section of the Little River, but your luck may be better,

About Philip Werner: Philip is the 36th person to finish hiking and backpacking all of the trails in the White Mountain Guide. He's also finished hiking many of the region's peakbagging lists including the White Mountain 4000 footers, the 4000 footers in Winter, the Terrifying 25, the RMC 100, and the Trailwrights 72. Philip is a 4 season backpacking leader for the Appalachian Mountain Club, a member of the executive committee for the Random Hikers, a Long Trail Mentor for Vermont's Green Mountain Club, and a Leave No Trace Master Educator. He also teaches several compass, GPS, and off-trail navigation courses each year, listed on Outdoors.org.

Safety Disclaimer

This trip plan can not alert you to every hazard, anticipate your experience, or limitations. Therefore, the descriptions of roads, trails, routes, shelters, tent sites, and natural features in this trip plan are not representations that a particular place or excursion will be safe for you or members of your party. When you follow any of the routes described on SectionHiker.com, you assume responsibility for your own safety. Under normal conditions, such excursions require the usual attention to traffic, road and trail conditions, weather, terrain, the capabilities of your party, and other factors. Always check for current conditions, obey posted signs, and Backcountry Camping and Wilderness Area Regulations. Hike Safe and follow the Hiker responsibility code. 

Published 2018.

SectionHiker.com receives affiliate compensation from retailers that we link to if you make a purchase through them, at no additional cost to you. This helps to keep our content free and pays for our website hosting costs. Thank you for your support.

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Monday, June 25, 2018

How to Find Dispersed Campsites for Backpacking

How to find dispersed campsites for backpacking

A lot of backpackers get really stressed out when planning trips because they can't find any information about pre-existing campsites along their route. While campgrounds, lean-tos, and signed designated campsites are usually easy to find out about, that's often not the case with the dispersed campsites you find in the backcountry that aren't officially sanctioned, managed or maintained.

Dispersed campsites fall into two categories:

  • Dispersed pre-existing campsites that people have created and used before.
  • Dispersed pristine campsites where no one has camped before.

The rest of this article explains how to find dispersed pre-existing campsites and pristine campsites.  It's a lot easier to do than you might imagine. Bringing the right kind of gear helps, but studying your map beforehand can go a long way to help you find a campsite where you'll be comfortable.

Dispersed Pre-existing Campsites

Pre-existing campsites are sites that people have used before, but aren't signed, officially recognized, or maintained by a land manager, such as the US Forest Service, Park Service, BLM, etc. You can usually find them near water sources, near trailheads, trail junctions, and on mountain tops. They also tend to spring up along the perimeter of scenic areas where camping is usually prohibited. .

Many of these pre-existing campsites may be "illegal" and violate local camping regulations that specify where people can camp. They might be too close to ponds, roads, trails or trail junctions. Such camping rules are put in place to help preserve the appearance of natural areas by limiting the amount of use they can receive. Too much use and they're trampled flat.

A fire ring is usually a pretty good indicator of a pre-existing campsite
A fire ring and partially burned wood are usually good indicators of a pre-existing campsite

Despite this, many land management agencies turn a blind eye to pre-existing campsites because they're the lesser of two evils. They know that people prefer to camp at pre-existing campsites, rather than create new ones, because it takes less effort to find them, and because it feels safer when you know someone's camped there before. So they try to concentrate overuse in pre-existing areas, rather than forcing people to disperse and create new campsites.

How to find pre-existing sites

So how can you find out about pre-existing campsites in advance if you've never visited an area before?

  • Call the rangers that oversee the area and ask them for advice about where to look.
  • Look up the local camping rules and regulations before you arrive. This can help you eliminate sensitive areas from consideration if you know that camping is prohibited in them.
  • Ask for help on social media.
  • Search hiking blogs and websites.
  • Some hiking phone apps (Guthooks Guides) have bulletin boards where people publish campsite information.
  • Study your map and identify places where campsites are likely: near water sources, at major trail junctions, trailheads, or scenic area boundaries.
Many pre-existing campsites are easy to recognize
Most pre-existing campsites are easy to recognize

How do you know you've found a pre-existing campsite

Most pre-existing campsites can be identified by the following features:

  • A fire ring, burned rocks, or partially burned logs are a dead giveaway
  • Logs moved to form benches
  • Flat areas with compressed leaves or tent-sized areas of bare earth surround by vegetation

In busy areas, plan to arrive a few hours before sunset so you can search for a pre-existing campsite. You can never be sure that a campsite will be unoccupied when you arrive or that the existing tenants will make room for you.

A one person tarp or tent is ideal for pristine camping because it can fit into tight spaces and has a low impact
A one person tarp or tent is ideal for pristine camping because it can fit into tight spaces and has a low impact

Dispersed Pristine Campsites

Many backpackers prefer to camp at pristine campsites away from other campers in a quiet and undisturbed setting. In addition, pristine campsites are often the only kind of campsites available, especially if you backpack deep into Wilderness Areas and off the beaten track.

Low Impact Camping

The name of the game when pristine camping is to leave no trace when you camp, at least that's my preference. No one should be able to tell you're there when you're camping. No one should know you were ever there after you leave and you shouldn't tell anyone else about where they're located.

To accomplish this, it's best to locate a campsite that's out-of-sight of the trail and has no evidence of prior use. Areas with little vegetation are best, so you don't trample fragile vegetation or create a recognizable trail between your campsite and a water source, cooking, or "privy" area. Limit your camping to one night if possible and return any branches or rocks to their original spot if you moved them when setting up camp, so people won't recognize it as a campsite in the future. It should go without saying, but don't build a fire ring or start a fire if you can avoid it.

When backpacking in forest, a hammock is a low impact shelter that can great increase the number of pristine sites available.
When backpacking in forest, a hammock is a low impact shelter that can greatly increase the number of pristine sites available.

Gear Selection

Camping in pristine campsites can be real hit or miss. While you can study a topographic map to find areas along your route that are flat, you can never really be sure what you'll find when you arrive. In my experience, it helps to bring a small tent or a tarp that can fit in small spaces if that's all you can find or a hammock that can be hung from trees if you're camping in a forest. These shelters will also have the smallest lasting impact on a campsite, because they have a smaller surface area.

How to find a pristine campsite

But how do you find a suitable pristine campsite? Planning ahead is useful but you also have to think on your feet.

  • Be sure to read up on the local backcountry camping regulations before setting out to understand whether and where dispersed pristine camping is permitted.
  • Observe the surrounding terrain and vegetation closely as you hike to understand what the understory conditions are like if you plan to camp on the ground.
  • Give yourself plenty of time before sunset to find a good site that you're happy with before nightfall.
  • Watch out for widow makers.
  • Don't camp near water or in low areas because they tend to have more insects.
  • Avoid windy and exposed sites.

Wrap Up

No matter how you slice it, it takes more backpacking skill to find and recognize a dispersed campsite than one that's signed and already designated for use. No matter how much you plan in advance, there's no way to know whether a pre-existing site will be available or still exist when you arrive or whether you'll be able to find a good pristine campsite if you set out to camp in one. If you find the uncertainty of having to find a dispersed campsite each night unsettling, there's no shame in sticking to designated campsites when backpacking, especially in unfamiliar terrain.

See also:

Published 2018.

SectionHiker.com receives affiliate compensation from retailers that we link to if you make a purchase through them, at no additional cost to you. This helps to keep our content free and pays for our website hosting costs. Thank you for your support.

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IndieView with Scott MacDonald, author of To Wish Upon a Star

I don’t know how many other writers do it this way but I see a movie in my head. I see the setting, meet the characters, I hear the dialogue, I watch whole scenes play out, and if I think the movie in my head is good, I start writing it as a book. 

Scott MacDonald – 25 June 2018

The Back Flap

Megan Brandt was a shy, lonely teenager secretly in love with a boy in school who didn’t even know she existed. It’s a common scenario that many young girls face and the resolution is typically something simple, like a makeover. Megan’s solution, however, was a little less prosaic than that. She chose to enter into a contract to have her wish fulfilled magically by a bitter and alcoholic 132yr. old Gypsy fortuneteller with a lot of unresolved anger issues.

A makeover would’ve been so much easier.

Years later, long after the wish had been made, the time had finally come for the people involved to seek out each other and understand the truth of what really happened on that one miraculous night.

About the book

What is the book about?

It’s about a magical solution to a common problem; unrequited love. The book follows the fallout from what should’ve been a simple wish made on a star, eighteen years after it was made and how it impacted the lives of everyone involved. Nick Janke is set on a path to discover the identity of the girl whose wish rescued him from a lifetime of infirmity after a terrible accident that took place at the local county fair when he was a teenager. It’s a story of magic, friendship, love, forgiveness and the true cost of wishing on stars. It’s also very funny throughout.

When did you start writing the book?

About five years ago and finished it almost two years ago.

How long did it take you to write it?

About three years. It was my first book so I had to learn everything from scratch.

Where did you get the idea from?

I just dreamed it up while running various magical scenarios in my head. Wishing on stars is an established fantasy concept so I wanted to approach it from a new perspective. Rather than follow what happened immediately after the wish was made, I wanted to pick up the story long afterwards. I felt that would make for a more interesting tale. That way, no one would have any idea what could possibly have taken place so long after the fact.

Were there any parts of the book where you struggled?

I’m struggling more with my current book than I did with this one.

What came easily?

Pretty much all of it. There was some time lost to indecision and/or writer’s block but, overall, To Wish Upon a Star was a relatively easy and painless birth. It took as long as it did because I was learning as I went. Given the enthusiastic reader reviews I’ve received on the book’s Amazon landing page, it was time well spent.

Are your characters entirely fictitious or have you borrowed from real world people you know?

Not the people so much as the setting. Most of the story takes place in the small town rural community of Maple Mill. Maple Mill is taken directly from my own hometown of Dunkirk, NY. Even the county fair in the story mirrors the county fair where I grew up. The main characters in the story, however, all exist only in my mind.

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

I don’t read as much as I used to due to worsening vision issues. I’m legally blind in my right eye so reading a physical book is pretty much out of the question. However, I still try to get some reading in on my computer. Some of my favorite authors include Clive Barker — a man who can paint pictures with words. You can’t love fantasy without loving Neil Gaiman. I also love Roald Dahl’s books. Whatever his failings as a man may have been, he was a wonderful storyteller. I loved A Confederacy of Dunces so much and sometimes wonder what other books John Kennedy Toole could have written had he lived beyond his 30s.

Do you have a target reader?

Anyone who wants to have fun reading a great story. I’m not a writer whose work will change the world or win prestigious literary awards, I strive to be the guy about whom people say, “Have you read Scott MacDonald’s latest book? I loved it!”

About Writing

Do you have a writing process? If so can you please describe it?

I don’t know how many other writers do it this way but I see a movie in my head. I see the setting, meet the characters, I hear the dialogue, I watch whole scenes play out, and if I think the movie in my head is good, I start writing it as a book. I’ll make story notes and do a simple outline to keep things clear and establish flow but, basically, I transcribe the movie in my head onto paper so everyone else can read it and see the same movie in their heads.

Weird, I know but it seems to work for me.

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

Chapter headings and a few sentences are usually enough to keep me on track.

Do you edit as you go or wait until you’ve finished?

As I go.

Did you hire a professional editor?

I did hire a pro for this book but I wound up using only about 1/3 of her suggestions. Does that mean I should ask for 2/3 of my money back? Her input was helpful but so far, she’s made more money off this book than I have. That grates on me.

Do you listen to music while you write? If yes, what gets the fingers tapping?

I have to focus when I write, music would distract me but if I did, it would mostly be classic rock from the 70s-80s.

About Publishing

Did you submit your work to Agents?

When I was 12 years old I stepped on a nail. I consider that to have been less painful than soliciting an agency for representation. I have tried and that’s how I know. If you’re a talented writer then agency representation simply comes down to luck. The question is; how long are you willing to keep your work on hold while you beat the bushes looking for an agent? Self-publishing will see your work in print at any time, you just have to understand that ALL promotion will be up to you.

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

It was gradual. It came down to a simple decision; do I keep doing this hoping to get lucky with an agency one day, or do I do it myself and make the work available while I strive to get it found by an audience? I knew either way would be difficult but I went with the latter.

Did you get your book cover professionally done or did you do it yourself?

Both. I did it myself and I have a professional background in digital graphics. I wanted to create an image that was at a pivotal moment in the story using simple, flat imagery. I also created an alternate cover which I might still use in the future.

Do you have a marketing plan for the book or are you just winging it?

This is my first book so, consequently, this is my first time marketing a book too. I had to learn as I went while writing it and I’m doing likewise to market it. To this end, I created a Facebook page that almost a dozen people follow and a blog that no one follows.

Man, obscurity sucks but ya gotta start somewhere.

Facebook page – https://www.facebook.com/scottbookz/

Blog – http://storysmac.blogspot.com/

Any advice that you would like to give to other newbies considering becoming Indie authors?

Prepare for the long haul and remember, writing the book is the easy part.

About You

Where did you grow up?

Dunkirk — it’s a small town in upstate New York.

Where do you live now?

Winter Springs, FL

What would you like readers to know about you?

I’m convinced I was a ham sandwich in a previous life. Winston Churchill ate me for lunch one day while preparing for the Battle of Britain. I also had an awesome UFO sighting in 1989 that I still think is the coolest thing that ever happened to me.

What are you working on now?

It’s called Romance & Adventure, it’s a paranormal romance with a Hollywood setting. After that, I was thinking of writing a cookbook with a murder mystery subplot.

Now you’re wondering, “Is he serious?”

End of Interview:

Get your copy of To Wish Upon a Star from Amazon US or Amazon UK.



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IndieView with Scott MacDonald, author of To Wish Upon a Star

I don't know how many other writers do it this way but I see a movie in my head. I see the setting, meet the characters, I hear the dialogue, I watch whole scenes play out, and if I think the movie in my head is good, I start writing it as a book. 

Scott MacDonald – 25 June 2018

The Back Flap

Megan Brandt was a shy, lonely teenager secretly in love with a boy in school who didn't even know she existed. It's a common scenario that many young girls face and the resolution is typically something simple, like a makeover. Megan's solution, however, was a little less prosaic than that. She chose to enter into a contract to have her wish fulfilled magically by a bitter and alcoholic 132yr. old Gypsy fortuneteller with a lot of unresolved anger issues.

A makeover would've been so much easier.

Years later, long after the wish had been made, the time had finally come for the people involved to seek out each other and understand the truth of what really happened on that one miraculous night.

About the book

What is the book about?

It's about a magical solution to a common problem; unrequited love. The book follows the fallout from what should've been a simple wish made on a star, eighteen years after it was made and how it impacted the lives of everyone involved. Nick Janke is set on a path to discover the identity of the girl whose wish rescued him from a lifetime of infirmity after a terrible accident that took place at the local county fair when he was a teenager. It's a story of magic, friendship, love, forgiveness and the true cost of wishing on stars. It's also very funny throughout.

When did you start writing the book?

About five years ago and finished it almost two years ago.

How long did it take you to write it?

About three years. It was my first book so I had to learn everything from scratch.

Where did you get the idea from?

I just dreamed it up while running various magical scenarios in my head. Wishing on stars is an established fantasy concept so I wanted to approach it from a new perspective. Rather than follow what happened immediately after the wish was made, I wanted to pick up the story long afterwards. I felt that would make for a more interesting tale. That way, no one would have any idea what could possibly have taken place so long after the fact.

Were there any parts of the book where you struggled?

I'm struggling more with my current book than I did with this one.

What came easily?

Pretty much all of it. There was some time lost to indecision and/or writer's block but, overall, To Wish Upon a Star was a relatively easy and painless birth. It took as long as it did because I was learning as I went. Given the enthusiastic reader reviews I've received on the book's Amazon landing page, it was time well spent.

Are your characters entirely fictitious or have you borrowed from real world people you know?

Not the people so much as the setting. Most of the story takes place in the small town rural community of Maple Mill. Maple Mill is taken directly from my own hometown of Dunkirk, NY. Even the county fair in the story mirrors the county fair where I grew up. The main characters in the story, however, all exist only in my mind.

We all know how important it is for writers to read. Are there any particular authors that have influenced how you write and, if so, how have they influenced you?

I don't read as much as I used to due to worsening vision issues. I'm legally blind in my right eye so reading a physical book is pretty much out of the question. However, I still try to get some reading in on my computer. Some of my favorite authors include Clive Barker — a man who can paint pictures with words. You can't love fantasy without loving Neil Gaiman. I also love Roald Dahl's books. Whatever his failings as a man may have been, he was a wonderful storyteller. I loved A Confederacy of Dunces so much and sometimes wonder what other books John Kennedy Toole could have written had he lived beyond his 30s.

Do you have a target reader?

Anyone who wants to have fun reading a great story. I'm not a writer whose work will change the world or win prestigious literary awards, I strive to be the guy about whom people say, "Have you read Scott MacDonald's latest book? I loved it!"

About Writing

Do you have a writing process? If so can you please describe it?

I don't know how many other writers do it this way but I see a movie in my head. I see the setting, meet the characters, I hear the dialogue, I watch whole scenes play out, and if I think the movie in my head is good, I start writing it as a book. I'll make story notes and do a simple outline to keep things clear and establish flow but, basically, I transcribe the movie in my head onto paper so everyone else can read it and see the same movie in their heads.

Weird, I know but it seems to work for me.

Do you outline? If so, do you do so extensively or just chapter headings and a couple of sentences?

Chapter headings and a few sentences are usually enough to keep me on track.

Do you edit as you go or wait until you've finished?

As I go.

Did you hire a professional editor?

I did hire a pro for this book but I wound up using only about 1/3 of her suggestions. Does that mean I should ask for 2/3 of my money back? Her input was helpful but so far, she's made more money off this book than I have. That grates on me.

Do you listen to music while you write? If yes, what gets the fingers tapping?

I have to focus when I write, music would distract me but if I did, it would mostly be classic rock from the 70s-80s.

About Publishing

Did you submit your work to Agents?

When I was 12 years old I stepped on a nail. I consider that to have been less painful than soliciting an agency for representation. I have tried and that's how I know. If you're a talented writer then agency representation simply comes down to luck. The question is; how long are you willing to keep your work on hold while you beat the bushes looking for an agent? Self-publishing will see your work in print at any time, you just have to understand that ALL promotion will be up to you.

What made you decide to go Indie, whether self-publishing or with an indie publisher? Was it a particular event or a gradual process?

It was gradual. It came down to a simple decision; do I keep doing this hoping to get lucky with an agency one day, or do I do it myself and make the work available while I strive to get it found by an audience? I knew either way would be difficult but I went with the latter.

Did you get your book cover professionally done or did you do it yourself?

Both. I did it myself and I have a professional background in digital graphics. I wanted to create an image that was at a pivotal moment in the story using simple, flat imagery. I also created an alternate cover which I might still use in the future.

Do you have a marketing plan for the book or are you just winging it?

This is my first book so, consequently, this is my first time marketing a book too. I had to learn as I went while writing it and I'm doing likewise to market it. To this end, I created a Facebook page that almost a dozen people follow and a blog that no one follows.

Man, obscurity sucks but ya gotta start somewhere.

Facebook page – https://www.facebook.com/scottbookz/

Blog – http://storysmac.blogspot.com/

Any advice that you would like to give to other newbies considering becoming Indie authors?

Prepare for the long haul and remember, writing the book is the easy part.

About You

Where did you grow up?

Dunkirk — it's a small town in upstate New York.

Where do you live now?

Winter Springs, FL

What would you like readers to know about you?

I'm convinced I was a ham sandwich in a previous life. Winston Churchill ate me for lunch one day while preparing for the Battle of Britain. I also had an awesome UFO sighting in 1989 that I still think is the coolest thing that ever happened to me.

What are you working on now?

It's called Romance & Adventure, it's a paranormal romance with a Hollywood setting. After that, I was thinking of writing a cookbook with a murder mystery subplot.

Now you're wondering, "Is he serious?"

End of Interview:

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